Rochelle Hurt is the author of In Which I Play the Runaway (Barrow Street, 2016), which won the Barrow Street Book Prize, and The Rusted City (White Pine, 2014), a novella in prose poems. The recipient of awards and fellowships from Crab Orchard Review, Arts & Letters, Poetry International, Vermont Studio Center, Jentel, and Yaddo, she is Assistant Professor of Creative Writing at Slippery Rock University.
José Angel Araguz is a CantoMundo fellow and the author of six chapbooks as well as the collections Everything We Think We Hear (Floricanto Press) and Small Fires (FutureCycle Press). His poems, prose, and reviews have appeared in RHINO Poetry, New South, and Queen Mob’s Tea House. He runs the poetry blog, The Friday Influence, and teaches English and creative writing at Linfield College.
Julia Koets’s poetry collection, Hold Like Owls, won the 2011 South Carolina Poetry Book Prize and was published by the University of South Carolina Press. Her poetry and nonfiction have been published in journals including Indiana Review, The Los Angeles Review, and Carolina Quarterly. She has an MFA in poetry from the University of South Carolina and a PhD in creative writing from the University of Cincinnati.
Sara Watson's poems have appeared in BOAAT, PANK, The Southern Review, and other journals. She studied poetry at Chatham University and earned a PhD in English & Comparative Literature from the University of Cincinnati in 2016. She likes sentences, animals, rivers, porches, and lesbian lit. and currently lives in Pittsburgh where she teaches Women & Gender Studies.
Katherine Webb is responsible for our Bad Drawings for Good Poetry feature. She is a writer, editor and educator in Birmingham, Alabama, where she directs the Nitty-Gritty Magic City Reading Series. She's always on the lookout for new writers to host. Her work has appeared in the New York Times, the Bitter Southerner, PANK, among others. She’s not a visual artist.
Allison Pitinii Davis is the author of Line Study of a Motel Clerk (Baobab Press, 2017) and Poppy Seeds (Kent State University Press, 2013), winner of the Wick Poetry Chapbook Prize. She holds an MFA from Ohio State University and fellowships from Stanford University’s Wallace Stegner program and the Fine Arts Work Center in Provincetown. She is a PhD student at The University of Tennessee.
Marlin M. Jenkins was born and raised in Detroit and studied poetry at University of Michigan's MFA program. His writings have been given homes by The Collagist, Four Way Review, The Journal, and Bennington Review, among others. A former teaching artist with Detroit's InsideOut Literary Arts Project and current editor at HEArt Online, you can find him on Twitter @Marlin_Poet.
Trevor Ketner holds an MFA from the University of Minnesota. Their poems have appeared in Best New Poets, Day One, Ninth Letter, West Branch, Pleiades, The Offing, Devil's Lake, Boxcar Poetry Review, Memorious, and elsewhere. Their essays and reviews can be found in The Kenyon Review, Boston Review, Lambda Literary, Booklist and The Rumpus. They currently serve as Associate Poetry Editor for Slice Magazine.
Monica Lewis lives in Brooklyn, New York and holds an MFA from Columbia University School of the Arts. Her poetry has appeared or is forthcoming in Rust + Moth, The Boiler Journal, Yes, Poetry, and the anthology TOUCHING: Poems of Love, Longing, and Desire. She is a VONA/Voices alumna and an assistant editor at NOON Annual. Her collection of poetry, Sexting the Dead, is forthcoming in 2017.
Ariana Nadia Nash is the winner of the 2011 Philip Levine Prize in Poetry for her collection Instructions for Preparing Your Skin, published by Anhinga Press. She has also published the chapbook Our Blood Is Singing from Damask Press. Her work has appeared in Rock & Sling, Poet Lore, Painted Bride Quarterly, and Cimarron Review, among other journals. She is a lecturer at the University of Chicago.
Lisa Summe was born and raised in Cincinnati, Ohio and is a recent graduate of Virginia Tech’s MFA program. Her poems have appeared or are forthcoming in The Tampa Review, Smartish Pace, Lambda Literary, Salt Hill, and elsewhere. She likes cats and running and cookies. You can find her on Twitter @lisasumme.
Madeleine Wattenberg's lifelong dream of writing reviews entirely in emojis feels closer than ever. The words of women and nonbinary writers keep her imaginary zeppelin afloat. Her own work appears or is forthcoming in journals such as Hermeneutic Chaos, Tinderbox Poetry Journal, Mid-American Review, Muzzle Magazine, Ninth Letter, and Guernica. Direct birdcalls to @topazandmaddy.